I Couldn’t Hold on To Them

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(ink and pencil on bristol)

It’s not perfect, but it’s something that helped me work through an overwhelming feeling of fragility this week. Life goes on, eh?

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So fragile

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Sometimes we’re made so aware of just how fragile life is. I was feeling very saddened by certain events and when I realised I was consoling myself by sketching my bird skull collection I had to laugh. I’m not as weird as I look, promise.

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Inky

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I did end up turning this creature into a full size illustration, since I picked up some new inking tools on Tuesday and this was the first opportunity I had to work on a piece since then. I’m fairly pleased with my results for the first time out. Of course I can instantly see things that need improving and where my line weights are heavy in the wrong places at times. Last night, though, I promised a scan on Twitter, so here we are. Funny how we regret things in the morning, eh?

Just kidding. Here’s a cheeky little in progress shot:

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Not so precious

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The most difficult thing about starting a new sketch book is feeling like it’s precious and everything in it has to be good. Of course that’s totally opposite to the actual purpose of a sketchbook, still we are vain creatures, and what if someone asks to see our book? Well, sometimes we realise that this just means they’ll get to see our trials and tribulations – the good days, the bad days and how much we’ve progressed. Sketch books can sometimes be as private and personal as a diary, so we should just dive in and make a mark on that first page.

Sod’s law, though, my first sketch in my new moleskine is one that I actually kind of like. Now I’ll have to fight that same precious feeling when I start on the next page. And so it goes…

Oh, this is the Elusive Tree Kraken in case you were wondering. I like him so much I might turn him into a bigger drawing to practise some inking.

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